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L’heterolinguisme en scene: français et arabe(s) à l’oeuvre dans ‘Junun’ de Jalila Baccar

Chiara Lusetti

Abstract


Self-translators, multilingual writers who decide to translate one of their works, are a particularly stimulating case study in the research on heteroglossia. Every self-translation can actually be considered a hybrid heteroglossic work created by two texts in two different languages. This study examines the theatrical play Junun by the Tunisian playwright Jalila Baccar, written and played in Tunisian Arabic in 2001 and self-translated into French in 2003. At first, the functions of the different languages in the Arabic text have been analysed. These can stem from a realistic motivation (representing Tunisian reality), from a compositional motivation (constructing the literary work’s fictional world), or from an esthetic motivation (through intertextual references to other works). Subsequently, the translation strategies of the heteroglossia from the first text to the French version have been studied. Finally, this textual approach has been framed within the analysis of the relationship between context and the history of heteroglossia, in order to broaden the scope of potential extensions of this research.


Keywords


French language; motivation to heteroglossia; self-translation; Tunisian Arabic language; Tunisian theater; autotraduction; langue arabe tunisienne; langue française; motivations de l’hétérolinguisme; théâtre tunisien

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References


CORPUS

Baccar, Jalila. 2001. Junun. Tunis: Sud Éditions.

Baccar, Jalila. 2003. Junun. Paris: Éditions théâtrales, passages francophones.

ÉTUDES

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Grutman, Rainier. 2015. “Francophonie et autotraduction”. Dans Regards croisés autour de l’autotraduction, édité par Paola Puccini. Interfrancophonies 6: 1-17. [03/01/2016]. http://www.interfrancophonies.org.

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Oustinoff, Michaël. 2001. Bilinguisme d’écriture et auto-traduction: Julien Green, Samuel Beckett, Vladimir Nabokov. Paris: L’Harmattan.

Perrier, Jean-François. 2012. “Entretien avec Fadhel Jaibi”. Théâtre contemporain. [04/12/2015]. http://www.theatre-contemporain.net/spectacles/Amnesia/ensavoirplus/idcontent/23236.




DOI: https://doi.org/10.7358/lcm-2016-001-luse

Copyright (©) 2016 Lingue Culture Mediazioni - Languages Cultures Mediation (LCM Journal) – Editorial format and Graphical layout: copyright (©) LED Edizioni Universitarie



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Lingue Culture Mediazioni - Languages Cultures Mediation
Registered by Tribunale di Milano (27/11/2013 n. 380)
Online ISSN 2421-0293 - Print ISSN 2284-1881

Dipartimento di Lingue, Letterature, Culture e Mediazioni  
Università degli Studi di Milano

Editors-in-Chief: Paola Catenaccio (Università degli Studi di Milano) - Giuliana Garzone (IULM, Milano)
Editorial Board: Marina Brambilla (Università degli Studi di Milano) - Giovanni Garofalo (Università degli Studi di Bergamo) - Dino Gavinelli (Università degli Studi di Milano) - Antonella Ghersetti (Università di Venezia Ca’ Foscari) - Maria Grazia Guido (Università del Salento) - Elena Liverani (IULM, Milano) - Stefania Maci (Università degli Studi di Bergamo) - Andrea Maurizi (Università degli Studi di Milano Bicocca) - Chiara Molinari (Università degli Studi di Milano) - Stefano Ondelli (Università degli Studi di Trieste) - Davide Papotti (Università degli Studi di Parma) - Francesca Santulli (Università di Venezia Ca’ Foscari) - Girolamo Tessuto (Università degli Studi della Campania Luigi Vanvitelli) - Giovanni Turchetta (Università degli Studi di Milano) - Stefano Vicari (Università degli Studi di Genova)
International Scientific Committee: James Archibald (Università degli Studi di Torino) - Natalija G. Bragina (Institut Russkogo Jazyka im. A.S. Puškina; RSUH, Mosca) - Kristen Brustad (University of Texas at Austin) - Luciano Curreri (University of Liège) - Hugo de Burgh (University of Westminster) - Giuditta Caliendo (Université de Lille) - Giorgio Fabio Colombo (Università di Venezia Ca' Foscari) - Daniel Dejica (Universitatea Politehnica Timisoara) - Anna De Fina (Georgetown University, USA) - Claudio Di Meola, (Sapienza Università di Roma) - Lawrence Grossberg (University of North Carolina at Chapel Hill) - Stephen Gundle (University of Warwick) - Décio de Alencar Guzmán (Universidade Federal do Pará, Belém,  Brasile) - Matthias Heinz (Universität Salzburg) - Rosina Márquez-Reiter (The Open University) - John McLeod (University of Leeds) - Estrella Montolío Durán (Universitat de Barcelona) - M'bare N'gom (Morgan State University, Baltimore) - Daragh O'Connell (Cork University) - Roberto Perin (York University, Toronto) - Giovanni Rovere (Ruprecht-Karls-Universität Heidelberg) - Lara Ryazanova-Clarke (University of Edinburgh) - Françoise Sabban (École des Hautes Études en Sciences Sociales, Paris) - Kirk St.Amant (Louisiana Tech University, University of Limerick/University of Strasbourg) - Paul Sambre (Katholieke Universiteit Leuven) - Srikant Sarangi (Aalborg University) - Junji Tsuchiya (Waseda University, Tokyo) - Xu Shi (Zhejiang University)
Section Managers: Maria Matilde Benzoni, Università degli Studi di Milano (Modern history) - Paola Cotta Ramusino, Università degli Studi di Milano (Russian linguistics and translation) - Mario de Benedittis, Università degli Studi di Milano (Sociology) - Kim Grego Università degli Studi di Milano (English linguistics and translation) - Giovanna Mapelli, Università degli Studi di Milano (Spanish linguistics and translation) - Bettina Mottura, University of Milan (Chinese studies) - Mauro Giacomo Novelli, Università degli Studi di Milano (Contemporary Italian literature and culture) - Letizia Osti, Università degli Studi di Milano (Arab studies) - Maria Cristina Paganoni, Università degli Studi di Milano (English linguistics and translation) - Giuseppe Sergio, Università degli Studi di Milano (Italian linguistics) - Virginia Sica, Università degli Studi di Milano (Japanese studies)

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